Kokoschka Revival is an interdisciplinary artistic collective founded in Milan in 2013. Directed by Ana Shametaj and Andrea Giomi, it is composed of a large group of professionals in the fields of theater, music, film, and visual arts, combining skills and experiences based both on authorial and technological disciplines. Our continuous investigation between new technologies, dramaturgy, and the body, produces tools and healing practices to respond to the violence of our time. To date, productions consist of installations, performances, experimental films, and parties/happenings.

Kokoschka Revival seeks to make solutions as an enigma, often embarking on high-risk investments, bringing to light the eternal revival of tradition.

From 2013 to 2020, the studio's predominant activity was the creation of theatrical performances, workshops, and cultural outreach events. After 10 years of being a no-profit association, in 2022, the collective has been established as an innovative start-up company called Kokoschka Revival Digital Art Studio srl. The founding goals of the company include the development and production of creative and innovative products with high technological and cultural value, as well as the practice of inclusivity and gender equality. At the moment, our research focuses on the production of digital ecosystems in the form of multimedia, interactive, and audiovisual works (based on the use of advanced technologies including wearable technologies, augmented reality, machine learning, and artificial intelligence) that connect the space of the real and the virtual space in the context of artistic creation, cultural promotion, and communication for brands and institutions.


¹ Theft and citationism (30%) / Folklore and Psychoanalysis (10%) / Devised dramaturgy (35%) Relational Art (25%) ² Technology & Body (30%) / Tanztheater (10%) / Queering (60%)/ ³ Women in software (15%) / Aleatory practices and faith (40%) / Generative Art (15%) / Analogy & Synesthesia (30%) ⁴ Interactivity (30%) / Electronic music (25%) / Choral sperimentations (30 %) / Rhythm of the algorithm (15%) ⁵ Self-hypnosis (5%) / Cinephilia (20%) / Self-regulamentation protocols (20%) / New strategies of live performances documentation (30%) Art Cine Tech Revival (25%)